Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 4: "A custom lothsome to the eye, hatefull to the Nose, harmefull to the braine, dangerous to the lungs, and in the blacke stinking fume thereof, nearest resembling the horrible Stigian smoke of the pit that is bottomelesse."—James I, A Counterblaste to Tobacco.
From Chapter 4: The social history of smoking from the point of view of fashion, during the period covered by this and the next two chapters may be summarized in a sentence. Through the middle of the seventeenth century smoking maintained its hold upon all classes of society, but in the later decades there are distinct signs that the habit was becoming less universal; and it seems pretty clear that by the time of Queen Anne, smoking, though still extensively practised in many classes of society, was to a considerable extent out of vogue among those most amenable to the dictates of Fashion.
From Chapter 7: There is no mention of Parson Trulliber's pipe, but that pig-breeder and lover can hardly have been a non-smoker. Both the other clerical characters who appear in the book, the Roman Catholic priest who makes an equivocal appearance in the eighth chapter of the third book, and Parson Barnabas, who thinks that his own sermons are at least equal to Tillotson's, smoke their pipes. The other smokers in "Joseph Andrews" are the surgeon and the exciseman who, early in the story, are found sitting in the inn kitchen with Parson Barnabas, "smoking their pipes over some syderand"—the mysterious "cup" being a mixture of cider and something spirituous—and Joseph's father, old Gaffer Andrews, who appears at the end of the story, and complains bitterly that he wants his pipe, not having had a whiff that morning.
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From Chapter 11: One of the most distinguished of Victorian men of letters, John Ruskin, was a great hater of tobacco. Notwithstanding this, he sent Carlyle—an inveterate smoker—a box of cigars in February 1865. In his letter of acknowledgment Carlyle wrote—"Dear Ruskin, you have sent me a magnificent Box of Cigars; for which what can I say in answer? It makes me both sad and glad. Ay de mi
'We are such stuff, Gone with a puff— Then think, and smoke Tobacco!'"
In the later years of his life, spent at Brantwood, Ruskin's guests found that smoking was not allowed even after dinner.
Another and greater Victorian, Gladstone, was also a non-smoker. He is said, however, on one occasion, when King Edward as Prince of Wales dined with him in Downing Street, to have toyed with a cigarette out of courtesy to his illustrious guest.
It was in the latter years of his life that Tennyson told Sir William Harcourt one day that his morning pipe after breakfast was the best in the day—an opinion, by the way, to which many less distinguished smokers would subscribe—when Sir William laughingly replied, "The earliest pipe of half-awakened bards."
The companion burlesque line, "The earliest pipe of half-awakened birdseye" appears, with one from Homer and one from Virgil, at the head of Arthur Sidgwick's poem in Greek Iambics, in "Echoes from the Oxford Magazine," 1890.
From Chapter 15: Other significant early tobacconists' signs were "Sir Walter Raleigh," "The Virginian" and "The Tobacco Roll." "Sir Walter," as the reputed introducer of tobacco, was naturally chosen as a sign, and his portrait adorns several shop-bills in the Banks Collection. The American Indians, represented under the figure of "The Virginian," and the negroes were hopelessly confused by the early tobacconists, with results which were sometimes surprising from an ethnological point of view. As the first tobacco imported into this country came from Virginia, a supposed "Virginian" was naturally adopted as a tobacco-seller's sign at an early date. An "Indian" or a "Negro" or a figure which was a combination of both, was commonly represented wearing a kilt or a girdle of tobacco leaves, a feathered head-dress, and smoking a pipe. A tobacco-paper, dating from about the time of Queen Anne, bears rudely engraved the figure of a negro smoking, and holding a roll of tobacco in his hand. Above his head is a crown; behind are two ships in full sail, with the sun just appearing from the right-hand corner above. The foreground shows four little black boys planting and packing tobacco, and below them is the name of the ingenious tradesman—"John Winkley, Tobacconist, near ye Bridge, in the Burrough, Southwark." Sixty years or so ago a wooden figure, representing a negro with a gilt loin-cloth and band with feathered head, and sometimes with a tobacco roll, was still a frequent ornament of tobacconists' shops.
